Exhibitions
'interstitions' 2025
'interstitions' presents a selection of works that consider the relationship between the lingering histories in images and their premonitory politico-aesthetic implications. The show features work by Aaron Claringbold, Ella Valentine and Tom Rogers, Guy Louden, and Lucinda Tassone.
Right, 'i would yap to you in any universe'. Oil on masonite board, 2024.
The Lester Prize 2024
I love fast food, 2024. Oil on masonite, 122 x 91 cm. Lucinda Tassone.
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Awarded the Minderoo Foundation Spirit Prize
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"My emancipation from the fast food industry. I have left and my sister (depicted) has taken my place at the local fast-food establishment. As a driven young woman the success in my minimum wage career from ages 14-17 have left me criminally over worked under appreciated. Now 19, I reflect on the economic crux that is youth labour in Australia. In uniform, I not only see myself in my sister; but also the collective in a state of contempt".
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Minderoo selected panel of judges: Bruno Booth, Imogen Castledine, Luisa Hansal and Brent Harrison.
UWA Summer Exhibition 2023
My car stepped on it (detail), 2023, digital prints, found ink monotypes on paper, and oil on board, dimensions variable.
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My car stepped on it'Interested in the analogue processes of drawing, printing, and painting; I have created a series of works across multiple mediums centered around the recreation of digital noise and traditional grain. Attempting to replicate traditional aesthetics in a digital environment, I found enlightenment in the replication and authentic recreation of classical artistic practices.
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The Lester Youth Prize 2021
Class Clown. Oil and acrylic on canvas, 122 x 91 cm. 2021
Awarded 3rd Place in Category: Years 11-12
I have critiqued the treatment of the average working class in contemporary society. By depicting the average worker as a clown, the facade of the ‘working hero’ is deconstructed and instead presents the bitter reality. The working class is treated as dispensable, valueless and foolish – a clown of sorts in the modern context.
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